“4265” is a creative exploration of digital citizenship through a parallel narrative following two individuals from different generations, separated by 75 years. Presented as both a short film and script, the project contrasts an “analog” and a “digital” citizen navigating the same daily task, highlighting differences in communication, behavior, and perception. Through emotionally engaging scenes, it examines themes such as digital government, cybersecurity, data privacy, and social interaction. By integrating psychological, social, ethical, technological, and business dimensions, the project emphasizes that the true impact of digitalization lies not in tools themselves, but in how they reshape human experience and everyday life.
Spectacle Bistro is a conceptual short film designed as a five-course tasting menu that critiques how poverty becomes aestheticized through a curated and consumable narrative. Each “course” corresponds to a theoretical problem, such as origins, representation, tourism, invisible labor, and absence, inviting viewers to reflect on their role as consumers of mediated suffering. Using fine dining as a metaphor, the project explores how poverty is reframed into something palatable for privileged audiences, particularly through media and tourism.
We all know Sophocles’ Tragedy of Antigone and without a doubt we have all interacted with his work both in many forms, be it text or even a live play. What really is Antigone, is she a person finding a tragic fate fighting for her right to mourn? Or is she a representation of something deeper? Perhaps an interpretation, a role that anyone can have in our Tragic society? Through the form of a short animated film I am exploring the idea of Antigone entering a rather contemporary setting.
