Cityscape Spa & Wellness is a sensorial advertising concept designed for urban dwellers who crave nature but lack the time to reach it. Through five immersive themed rooms: The Beach Escape, The Forest, The Ancient Baths, The Countryside Sunset, and The Mountain Peak, Cityscape engages all five senses simultaneously. Tailored lighting, curated soundscapes, custom aromatherapy, tactile textures, and nature-inspired refreshments work together to transport guests beyond the city without ever leaving it. This video explores how sensorial advertising transforms a wellness space into a full emotional journey, reconnecting people with nature, calm, and themselves - one room at a time.
This piece invites the audience inside Medea’s mind. The mind of a betrayed woman, a woman who has lost everything, a woman remembered as a monster. But what makes someone a monster? Is Medea to blame for what she becomes, or is she shaped by what is done to her? In a world where women have little power, her pain turns into anger, and her anger into something dangerous. The audience is asked to forget everything they think they know and see her again through her own experience. Through broken thoughts, memories, and emotions. Then perhaps what they will discover is not a monster by nature, but one who was made.
This performance analyses the every-day gestures we all make use of and the difference in gestures between various cultures. Next to this, the work briefly explores the impact that technology has on the interactions we have with each other showing us how advancing technology is making human communication exponentially less intimate and meaningful.
This performance analyses the every-day gestures we all make use of and the difference in gestures between various cultures. Next to this, the work briefly explores the impact that technology has on the interactions we have with each other showing us how advancing technology is making human communication exponentially less intimate and meaningful.
The concepts of absence can be found in the very fabric of theatre, performance, and visual art in the crossroads between these genres. Absence is between the concepts that shape our view of the world. Exploring Presence in Absence”, was to take a deeper dive in the concept of being present in an absent state of mind. The ideology of “zoning out” intrigued me, it always was a universal phenomenon. No matter where you are from you have access to that space in your mind, yet that space gets shaped and inspired by time, culture, and personality. In this performance I tried to showcase the space that was moulded in my mind.
As the world burns, four people at a dead-end destroy each other, attempting to fulfill a void, futile and self-indulgent vision of happiness. In an ironic image of entrapment and distress, an inherited normative vision of humanity, we oscillate between the raw and macabre, the comic and the absurd. The Theatre Arts Department Senior Production Practicum employs this text by British playwright Ryan Craig to discuss a sense of doom, as the personal mirrors the political, the individual the collective. The characters exhaust their lives, anticipating meaning to occur, desperately afraid of the meaningless.
